Vienna · University of Vienna

About me

I am a Feldenkrais practitioner and a cognitive scientist — two paths that have belonged together for me for a long time.

Stefan M. Schneider, Feldenkrais practitioner in Vienna, in the studio
Role
Feldenkrais practice and movement research
Institution
University of Vienna
Focus
Embodiment · somatic learning · mental imagery
ORCID
0000-0002-0724-8282

Who I am

I am concerned with the question of how body, perception and consciousness are connected — practically as a Feldenkrais and Taichi teacher, scientifically as a cognitive scientist at the University of Vienna. My doctoral thesis is devoted to imagination and how it is anchored in the body; alongside that I accompany people in practice in sensing precisely this connection again — currently with a particular focus on neurodegenerative conditions such as Parkinson's.

This dual perspective matters to me: I do not only talk about movement, I stand in the middle of it myself every day.

My own movement history

My movement history does not begin with dance training, but with a knee. From the age of fifteen it dislocated several times a year; at 22 I could barely walk for the pain. A misalignment was corrected surgically, followed by more than twenty years of physiotherapy and strength training — and the same experience again and again, that some things simply did not improve. Every step hurt a little, and the tension carried on up through the hip and spine into the neck.

On top of that, at 19 I fell from a great height. The fractures healed well, but afterwards I was stiff and deeply unsure of what I was allowed to trust myself with. From those conditions I worked out, piece by piece, what was possible: swimming, Taekwondo up to competition level, gliding and hang gliding, fifteen years of Taichi in a system that cultivates the inner form very precisely.

The pain in the knee only resolved at 45 — through a combination of Feldenkrais and targeted training. It turned out that the well-meant habit of guiding the knee in a straight track had allowed too little rotation. Since then every movement in that area is a pleasure. That is why I do this work: I know from my own experience what it is like to search for a way like a movement detective — and to find one.

Stages of a long apprenticeship

  1. since 2020

    University of Vienna

    Most recently Co-Principal Investigator of the FWF project “Creative Conversations with Materials” on creativity in artistic making; previously Associate Researcher in the FWF project on intercorporeal synergy practices (acro yoga, Taichi push hands, contact improvisation).

  2. 2016–2022

    International project lead, Cairo

    Led three consecutive, mutually building cooperation projects with Ain Shams University Cairo, including building an e-learning platform and organising student exchanges.

  3. 2012–2019

    University of Osnabrück · Institute of Cognitive Science

    Teaching and research in phenomenology, artificial intelligence and cognitive science — including the multi-part seminar series “What makes you move?”, which gave this site its name.

  4. 2026

    Doctorate

    Dissertation on imagination and mental imagery — the dynamics of embodied representation. B.Sc. and M.Sc. in Cognitive Science there as well.

  5. ongoing

    Feldenkrais and Taichi

    Certified Tai Chi Chuan teacher. In Feldenkrais training, currently holding a teaching licence for Awareness Through Movement lessons; the Functional Integration training is being completed. Field research on somatic movement practices: Feldenkrais, Gaga Dance, Taichi, Ideokinesis.

  6. since 2001

    Fine art

    Diploma and master student, Kunstakademie Düsseldorf, with Georg Herold and Jan Dibbets.

  7. Places

    Düsseldorf · Osnabrück · Paris · Birmingham · Cairo · Tel Aviv · Vienna

    Grew up and worked in these places among others, at home in Vienna for some years now.

Full academic CV on ORCID

Publications on movement, perception and learning

My research examines what happens in perception and body when movement is guided through language — precisely what happens in every Feldenkrais lesson.

  • 2026

    Schneider, S. M., & Kimmel, M.

    „Mind Your Own Business“: Taichi Synergies From Individual Coordination To Collective Physics

    Journal of Expertise

  • 2026

    Anderwald, R., Grond, L., & Schneider, S. M.

    Moving Bodies, Concepts, and Understanding

    The Journal of Somaesthetics

  • 2024

    Kimmel, M., Schneider, S. M., & Fisher, V. J.

    „Introjecting“ imagery: A process model of how minds and bodies are co-enacted

    Language Sciences, vol. 102 · DOI ↗

  • 2022

    Schneider, S. M.

    Intercorporeal synergy practices — perspectives from expert interaction

    in: Collaborative Embodied Performance (book chapter)

  • 2019

    Schneider, S. M.

    Bodily experience in somatic movement practices

    Dance & Somatic Practices, Coventry University

  • 2015

    Schneider, S. M.

    Vorstellen als räumlich-zeitliches Konstruieren

    in: Selbstbeobachtung — Oswald Wieners Denkpsychologie (book chapter)

Full list of publications on ORCID

Why I take this path

The title of this site has a story of its own: “What makes you move?” was the title of a multi-part seminar I taught at the University of Osnabrück — on conscious anticipation, the moving body, sensing and deliberate practice.

The question has not let go of me since, except that today I no longer ask it only in the seminar room but in practice: what makes you move — literally and figuratively? And how do we find that out together when illness, pain or simply the routine of everyday life has buried that connection?

That is why this site is not called “therapy” but “what moves you”. It is a question, not a treatment.

Painting and drawing

Before I researched and taught movement, I drew it. I studied at the Kunstakademie Düsseldorf and still work with ink and paper today. Drawing was my first school of perceiving. Feldenkrais is the second — with the same questions, by other means.

My painting draws on the sensation of space, movement, speed and physicality — and on the material of ink and paper.

A selection of further works can be seen at the Austrian Ärztekunstverein

Neuro9 — Feldenkrais online for people with Parkinson's

Together with colleagues from several countries I founded Neuro9: a cooperative that makes short, frequent online lessons accessible to people with Parkinson's.

See the project